Skulls Tumblr Themes

unlucid:

nocive:

meanwhile in Afghanistan

never gets old



labyrinth-of-butts:

im-the-voodoo-child:

Frances Bean Cobain by Hedi Slimane. (July 2011) Part II

Good god she’s perfect

(via fetusvoldemort)







heterophobicgoat:

stupidandreckless:

NOOOO NO NO NONO FUCK FUCK  FUCKIG CBS IS TELLING WOMEN NOT TO REPORT SEXUAL HARASSMENT BECAUSE IT WILL “DAMAGE THEIR CAREERS” and “HARASSMENT IS AN UNFORTUNATE PART OF CLIMBING THE LADDER” I AM SO ANGRY THEY ARE LITERALLY TURNING SEXUAL HARASSMENT INTO A NORM THIS IS NOT OKAY

This is an actual article and I’m still having a hard time believing it’s real.

(via muffinw)


gayleaf:

you’re not allowed to wear a cotton t-shirt unless you’re a true fan! do you go to the fields and look at it? do you appreciate the agricultural implications of a gigantic cotton industry? do you understand the harvesting process? name 5 cotton harvesting machines. didn’t think so

(via crystallized-teardrops)











medievalpoc:

Contemporary Art Week!

Kehinde Wiley

Los Angeles native and New York-based visual artist Kehinde Wiley has firmly situated himself within art history’s portrait painting tradition. As a contemporary descendent of a long line of portraitists—including Reynolds, Gainsborough, Titian, Ingres, and others—Wiley engages the signs and visual rhetoric of the heroic, powerful, majestic, and sublime in his representation of urban black and brown men found throughout the world.

By applying the visual vocabulary and conventions of glorification, wealth, prestige, and history to subject matter drawn from the urban fabric, Wiley makes his subjects and their stylistic references juxtaposed inversions of each other, forcing ambiguity and provocative perplexity to pervade his imagery. Wiley’s larger-than-life figures disturb and interrupt tropes of portrait painting, often blurring the boundaries between traditional and contemporary modes of representation and the critical portrayal of masculinity and physicality as it pertains to the view of black and brown young men.

-skny.com

1. Down With a Bullet, 2011., 2. Femme Piquee par un Serpent, 2008, oil on canvas. 3. Matador, 2009. Oil on paper 57.5” x 134.5”., 4. Sleep, 2008. Oil on canvas 132” x 300”.

(via afro-dissented)


  • A guy and a girl: Hold hands
  • Straight people: THEY ARE SO UNBELIEVEIBLY CUTE GOD HELP ME
  • Two guys: smile at each other
  • Straight people: THEY WERE ACTUALLY MADE FOR EACH OTHER HOLY SHIT THIS IS THE GREATEST THING EVER CANON!!! CANON!!
  • Two girls: make out
  • Straight people: they could be friends idk







flomation:

kauvera:

supernatural-aka-tearsandgay:

wiener-cest:

demeaniac:

STOP SCROLLING

straighten your back, mate

NOW GO ON

woah thanks i really needed that today

tumblr user demeaniac doing little favors for tumblr one post at a time

FUCK THIS POST HAS SHOWED UP LIKE 10 TIMES TODAY AND I HAVE BEEN HUNCHED OVER EVERY FUCKING TIME

PLEASE KEEP THIS GOING it is the best reminder for me ever and I always need it omg

I’m lying on the ground.

(via hi-im-the-princess)


  • (I work the floor at an independently-owned menswear store. The owner, my boss, spends a lot of time at the shop, and tries to keep prices as low as possible to help our city’s large homeless population get good job interview clothes. A clearly homeless man is wandering around the store. The other patrons are giving him looks.)
  • Customer: “Excuse me, sir?”
  • Me: “Yes, ma’am?”
  • Customer: “I think you may want to call security. That… bum over there, he keeps feeling the suits and muttering to himself. I’m just sure he’s planning to steal one.”
  • Me: “Well, ma’am, I think that’s quite unlikely.”
  • Customer: “Oh, come on, you know how they are! I mean, I’d keep an eye on him even if he wasn’t homeless!”
  • (The homeless man in question happens to be Hispanic.)
  • Me: “We don’t discriminate here, ma’am.”
  • Customer: “Well, I’m sure the owner would want to hear about this!”
  • (I give in and call him over. The customer explains her concerns. As a black man, my boss isn’t happy with her racism, but agrees to talk to the homeless man.)
  • Owner: “Excuse me, sir, are you finding what you need?”
  • Homeless Man: “Well, not really. I’m hoping for something versatile in a dark or navy wool, but most of the options in my size are cut American style instead of European, which fits me a little better. Not to mention they’re all pinstriped, which I really don’t have the build for, you know?”
  • Owner: “I… yes, I understand. I think we may have some options over here, if you’ll follow me. How did you know all that?”
  • Homeless Man: “Back before I lost my job, I used to be really into this stuff. I’m not looking for anything fancy, just something I can use to look good for a job interview later today.”
  • (My boss helps him find something he likes, and comes to the counter with him. The suit is priced at $87.)
  • Homeless Man: *digging in his pockets* “Hang on, I think I’ve got enough.”
  • Owner: *to me* “Take my card. I’m buying it for him.” *to the homeless man* “Here. The suit’s yours, on one condition. After your interview today, you come back and apply for a job here too. Got it?”
  • Homeless Man: “I… oh my God, thank you. Thank you so much.”
  • (Two years later, that formerly-homeless man is my manager, and has a little girl with his new wife—the owner’s sister.)








pulledacross:

Tenth Doctor being protective of Rose

(via the-sound-of-the-drums)









ask me how it feels.
i like text posts.
my brain tries to guess what people are gonna say before they say it. generally the guesses are entirely unsound and not even remotely correct.

Read the Printed Word!

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